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  1. Mark on Shostakovich Symphonies Nos. 1, 2, & 3
  2. Dmitri Shostakovich
  3. Dmitri Shostakovich - Prologue to Orango () - Music Sales Classical
  4. Shostakovich Studies
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Mark on Shostakovich Symphonies Nos. 1, 2, & 3

Institutional Login. LOG IN. Music and Letters. Shostakovich Studies 2 ed. In lieu of an abstract, here is a brief excerpt of the content: Reviewed by:. Shostakovich Studies 2. If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE.

Dmitri Shostakovich

Additional Information. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Everything old was rejected, the individual was becoming depersonalised. Or is Shostakovich simply trying to draw a clearly defined line between the music he wanted to write and the music he had to write? Shostakovich may well have been a supporter of the philosophies that led to the October Revolution in the first place, but his inability to write any musical notes at all for the final lines, instead simply asking for the words to be declaimed without pitch, seems an indication of how he perceived the soulless climate of the time.

The idea of October was not necessarily the same thing as its reality. Peaceful development is a most intense struggle.

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His recent opera The Nose had not been well received, and despite his previous success, he certainly would not have felt immune to the vulnerability of his time. It could be that his choice of key was even intended as a public show of respect for Beethoven, who used the same heroic tonality for his own Third Symphony.

Dmitri Shostakovich - Prologue to Orango () - Music Sales Classical

Beethoven was upheld as the artist most completely in tune with the social aspirations of his time and it was felt by many post-Revolutionary Russians that his death marked the start of the decline of the symphony as an art form altogether — one that could never be resurrected under the rampant capitalism of the west. After a deceptively light opening, the music hurls itself helter-skelter into a series of episodes that seem to collide up against each other with little meaning or purpose, sometimes breathlessly agitated, other times disconcertingly empty.

But if they seem crude or illogical, that reflects the brutality and ideologically confused spirit of the age. Only those with the shortest of musical memories can listen to the rousing choral finale with a sense of triumph and joy. It is hard to know if the Second and Third Symphonies reflect a pride in the Revolution that was only later to turn to disillusionment, or if they are the views of an already disenchanted and politically cynical individual. But for Shostakovich, it need not have been a question of one or the other. Yet he was not completely intimidated, and, in his String Quartet No.

Shostakovich Studies

His Symphony No. He was left to pursue his creative career largely unhampered by official interference. He did, however, experience some difficulty over the texts Baby Yar by the poet Yevgeny Yevtushenko on which he based his Symphony No. Yet he was undeterred by this, and his deeply impressive Symphony No. The composer had visited the United States in , and in he made an extended tour of western Europe, including Italy where already he had been elected an honorary member of the Accademia Nazionale di Santa Cecilia, Rome and Great Britain, where he received an honorary doctorate of music at the University of Oxford.

Despite the brooding typical of so much of his music, which might suggest an introverted personality, Shostakovich was noted for his gregariousness. Since his own death his music has been the subject of furious contention between those upholding the Soviet view of the composer as a sincere Communist, and those who view him as a closet dissident. Dmitry Shostakovich.

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Submit Feedback. Thank you for your feedback. Alternative Title: Dmitry Dmitriyevich Shostakovich.

Early life and works Shostakovich was the son of an engineer. Start your free trial today for unlimited access to Britannica.

Shostakovich - Symphonies 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15 (Century rec. : Kirill Kondrashin)